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Studio Lighting Positions

February 25th, 2010 selge No comments

Studio Lighting Positions
How do I get my 2 Speedlite flashes to behave?

I have a Speedlite 580EXII on my Canon 400D and a 430EXII as my second (slave) unit. Now when I have the 430EXII positioned I kinda hoped they would fire equally without me having to dial anything in. They never do, and sometimes one won’t fire at all (I do wait for the pilot lights to reappear, just in case you wonder). The uneven results aren’t awful, but I would like to able to rely on a metred result. Any ideas guys? I’m tempted to veer towards a couple of full-on Elinchroms with umbrellas, or can I get good studio results with my two flash heads?

You will want to set the 580 as master, group A, and the 430 as slave, group B. Give it a decent ratio like a 1:2. If they are the same group, they will confuse each other. If they ratio is 1:1 the image will be kinda flat (no shadows), and if the ratio is 1:8 you will be really dark on one side or overblown on the other or both.

Try to put one flash on one side of the subject and the other flash on the other side. An off camera shoe cord and bracket can help with that. Radio Poppers and the newest Pocket Wizards can help if your problem is actually caused by too much ambient light confusing the sensor on the 430 (bright sunlight isn’t too great with the current IR setup).

Single Light Studio Portrait Photography : White Card Positions in Single Light Studio Photography



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Introducing the Positions, a series widely used in classroom and private studio, represents a critical next step for string students. Position playing allows players to extend range beyond the basics and move into the ranks of intermediate and advanced ensemble groups. The most important positions vary for each instrument, and Whistler wisely introduces the most-used positions first in Volume 1, followed by the next most important in Volume 2. An irreplaceable component for every string student's training!
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DIVFor photographers who have a basic understanding of how to operate their cameras, this book offers easy techniques, a myriad of photographs from acclaimed studio photographers, and numerous lessons to create great effects that portray subjects in a flattering light. Whether working in a spare bedroom, in the garage, or in a well-trafficked part of town, photographers learn how working in the studio allows them to control the effects of lighting on their subjects, no matter the weather or time of day. Including practical advice for achieving the shadows and highlights that make any subject appear photogenic, assignments that command an increase in creativity and efficiency, and progressive photos that illustrate various steps in the lighting process, this book provides the hard facts and hands-on experience photographers need to make the images they have always dreamed possible.br/divDIVA wide range of top quality tips on improving your studio lighting techniques for both still life and portrait photography.  —IPetersen's PHOTOgraphic/I/DIVDIVbLou Jacobs Jr./b, is the author ofiPhotographer’s Lighting Handbook/iandiTake Great Pictures/i. He has also provided images for many publications, includingiModern Maturity/i,iModern Photography/i,iPetersen’s PhotoGraphic/i, andiPopular Photography/i. He lives in Cathedral City, California.br/div
Positions Positions
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Positions Positions
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